By Jim Parisi
Writing humor is a cruel, nasty and thankless endeavor more times than not. Trust me because I have tried. Telling a humorous story in person to a group of people is completely different because the speaker can control the pace, the cadence, the intonation and eventually, the punch line. Writing these same words onto a page, handing it to a complete stranger, walking away and allowing the writing to convey humor on its own takes a leap of faith and a unique storytelling talent for the humorist to succeed. And Matt Casseday has pulled it off.
Sr. Casseday is a fifty-something ex-pat who has been calling Costa Rica home for more than two decades. He has been living in the Quepos area for about half that time and writing columns for Quepolandia, the local monthly magazine there, for more than five years. He recently culled through his collection of articles, selecting fifty-four of them to compile into a publication of his own, titled Crazy From the Heat. I think the operative word in that title is the first one, and I mean that in a good way. Matt takes a wry look at the trials and tribulations of living within another culture, specifically, being a “gringo in Ticolandia”, as he calls it. Sr. Casseday has lived and worked in a few different locales as well as owned a car and a business in Costa Rica, is married with a Costa Rican woman, and in short, has easily garnered enough material for his book with first-hand experience.

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Filed under: Book Review, Crazy From the Heat, Jim Parisi, Matt Casseday on March 6th, 2010
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By Jim Parisi
The essence of Calypso is in its rhythm and its humor, not necessarily in that order. The seed of this musical style sprouted around Barbados, Trinidad and Ciudad Colon, Panama. It spread, literally by word of mouth, to other Caribbean ports, including Kingston, Jamaica, where it spawned the nucleus of reggae music.
Walter Ferguson is probably the last Calypsonian to learn his craft in this traditional, organic manner. Born in Guabito, Panama in 1919, he moved to Cahuita, Costa Rica at an early age with his father, Melsh, who was a cook for the Banana Company there. For years, Ferguson, or “Gavitt” as he is affectionately referred to by his wife and family, plied his trade with an old Martin guitar, creating songs and exchanging them with other wandering Calypso minstrels up and down the Caribbean coast of Central America. Walter even recorded a vinyl album of original songs in the early 1970s, which quickly slipped into obscurity along with its composer.

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Filed under: Jim Parisi, Music Review on January 31st, 2010
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When Alice stepped through the looking glass, one of her first observations was that “things are not what they seem to be”. Lewis Carroll’s fairytale was written as a double-edged sword: a bright and cheery surface story, with an underlying cynical twin meaning. The rock duo who call themselves Amigosintimos have taken this theme and extrapolated on it with their debut CD, “En el Pais de las Maravillas”. There are direct references to Carroll’s work, including a song titled “Alicia” and a quote from Edgar Allen Poe in the lyric book which is included in the CD package.

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Filed under: Jim Parisi, Music Review on December 25th, 2009
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by Jim Parisi
Armando is a young Tico boy who has lived his entire nine years with his family, just a stones-throw from Playa Real on the Pacific Ocean in Guanacaste, Costa Rica. He’s a smart kid with an active curiosity and Playa Real has continually offered him an abundance of different ways to explore and learn. Upon his request, Armando’s father allows him to spend the night alone on the beach on the evening of his ninth birthday because Armando wants to witness the phenomena of the Baula turtles coming ashore to lay their eggs. What transpires on that night has a huge impact on Armando: he does, indeed, see a Baula lay her eggs. In fact, the turtle introduces herself (Yes! She speaks!) as “Annabella”, or Bella for short, and has quite a story to tell the impressionable Armando.
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Filed under: Book Review, Jim Parisi on December 12th, 2009
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By Jim Parisi
Rock and Roll has had an element of humor and playfulness since its inception; it is simply a part of its inherent makeup. Sure, there is a serious side, as well: the musicianship has always been concrete and the messages diverse, be they political, philosophical or romantic. But the whimsical part has always been there, throughout the history of Rock and Roll. Ben Orton has been a serious Rock and Roll musician with a serious funny bone for more than twenty years. Born near Champagne, Ill, he relocated to the Ozark Mountains and Fayetteville, Ark to pursue his college degree “in three easy decades” as he has explained it. Ben has spent time living in Seattle, India and Iran as he took the long road to eventually come to Costa Rica and live in the Quepos/Jaco area. On his way here, he paid his dues, including playing bass guitar and recording with a biker/porno band, and then released his first solo project, “Ben Orton & Other Infamous Fugitives”, a good, straight-forward rollicking, rocking album. He recently released his first album from Costa Rica, a self-produced CD entitled “Hecho en Costa Rica” along with his band BenJammin and the Howlers. All the songs are Ben’s original material and the album was recorded in Jaco and Quepos.

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Filed under: Jim Parisi, Music Review on November 27th, 2009
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by Jim Parisi
Willow Zuchowski needs a hat rack simply to distinguish her many occupations: this woman wears a lot of different hats. First and foremost, Ms. Zuchowski is a botanist who has lived in the Monteverde area of Costa Rica for nearly three decades. She had come to Costa Rica a few times in the late Seventies as a vacationing botanist, then accepted a position in the early Eighties that allowed her to return to Monteverde to work as a field assistant on a hummingbird-plant interaction project and has called that area “home” since then. Willow is also a renowned author with four books to her name, as well as a booklet of Common Flowering Plants of the Monteverde Cloud Forest and a four-fold laminate covering the Cloud Forest of Montverde. She writes passionately about this area. Willow is also an adept illustrator and includes her work in each of her books. Truly, the culmination of these endeavors makes Willow Zuchowski a formidable teacher and instructor. Her works are detailed and specific enough to serve any advanced botany student and yet straightforward and digestible for any lay person, such as myself. For me, this is an indication of a natural teacher.
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Filed under: Book Review, Jim Parisi on November 27th, 2009
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by Jim Parisi
Religious hymns and spiritual music have played a role in Costa Rican culture for more than two centuries. Traditionally, however, the practice of organized groups celebrating and singing these songs has been confined to within their respective church walls, primarily in Limon and San Jose. Enter music historian Manuel Obregon, who is also the president and founder of Papaya Music, Costa Rica’s premier music label. Obregon felt this musical legacy deserved to be shared with the general public. So he enlisted more than thirty participants from a variety of denominations to perform live for two nights for an audience at National Theater in San Jose, which is truly how gospel music should be heard; live rather than canned studio work. Appropriately, a recording of this event, “Wade in the Water” has recently been released.

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Filed under: Jim Parisi, Music Review on October 2nd, 2009
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