By Jim Parisi

Lucho Calavera and his band La Canalla recorded their entire debut album “Ni Pa’ Que Te Cuento” in the Papaya Music Studio in Alajuela in just two and a half months, an incredible, very efficient accomplishment. Then they spent nearly a year crafting and polishing their model. A band that has a reputation for enjoying themselves onstage, including live dancers as part of their entourage, became very serious in the studio, expanding the band from five players to nine, to include more percussion and a horn section, further indication of the scope of their vision. That vision is initiated by singer/songwriter Lucho Calavera, the altered ego of Luis Arena, who has been in the Costa Rica music scene for some time. He recorded two albums in the late Nineties with El Parque, the second CD on the Sony Music Label. They were the first Costa Rican band to air a video on MTV Latino. He then went solo, working on projects with other local bands, most notably Evolucion. He also sat in with Soda Stereo, a popular band from Argentina. Arena then relocated to Madrid, evolving musical influences and his pseudonym, with gypsy bravado wrapped around it.

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Filed under: Jim Parisi, Music Review on May 21st, 2011
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By Jim Parisi

Reggae music has become a global phenomenon, cast into public awareness forty years ago by musicians like Johnny Nash, Bob Marley and Peter Tosh. But the music remains Caribbean in temperament.

In 1995, the young Costa Rican music label Papaya Music released “Costa Rica Reggae Night”, an excellent compilation of authentic Reggae music from the Caribbean coast of this country. It is a compilation of thirteen songs from well known Costa Rican bands, both past and present; it was a kind of history of notable reggae bands from this area. The album has been a big hit, selling more than fifteen thousand copies in just ten years, a remarkable feat for an independent Central American label.

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Filed under: Jim Parisi, Music Review on April 9th, 2011
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By Jim Parisi

Max Urso is a busy guy, a tireless visionary. He started his recording studio and label, Costa Norte Records, in San Pedro Sula, Honduras in 1998, after hearing a rough cassette tape of Honduran singer/songwriter Guillermo Anderson performing and perceived a real need for a recording studio in the country. Both Guillermo and Garifuna singer Aurelio Martinez were recently included in the Central American Music Box CD, a compilation album demonstrating the musical diversity of this region. It is an accomplishment that all three of them are very proud about and happy to be a part of.

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Filed under: Jim Parisi, Music Review on March 11th, 2011
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By Jim Parisi

In a career that is approaching a decade, Malpais has become one of the most popular bands in Costa Rica. Their appeal, like the band, kept growing. And I think this is one thing that adds to their popularity: they continually expand the realm of their influences. Malpais has gained the affection of their continually growing audience because they never forgot their roots. Their songs are snapshots, histories, reflections and all human and tangible. The new album “Hay Niños Aqui” keeps them on both roads of staying grounded, while spreading out.

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Filed under: Jim Parisi, Music Review on February 21st, 2011
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By Jim Parisi

Musicians throughout the world have a good reputation for giving back to the community, especially to the next generation, the children, and Central America is no exception. Costa Rica’s three-time Grammy Award winners Editus are a good example. They have recorded twelve albums in their seventeen years together as a group and in an effort to give back to the community, they founded their Acadamie de las Artes in San Jose, Costa Rica in November 2004. It is a modern conservatory that integrates diverse elements of artistic development, not only for music but for dance, literature, theater, painting and photography as well. The music classes they offer are incredibly staffed and diverse, with three drum and percussion instructors, six teachers specializing in voice, lyrics and songwriting, four electric guitarists, six acoustic guitar instructors, two violinists, a cellist, five pianists, one saxophone teacher and a bass guitar instructor. Not surprisingly, some of the current teachers are former students, a sure sign of the Acadamie’s success. The academy also offers a sound lab to teach engineering, mixing, mastering, even DJ sampling. And there is a chorale group who performs a minimum of twice a year with selections as varied as Gospel and spiritual, Rock and Pop, Costa Rican and Latin American songs, in an effort to create a completely diverse chorus.

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Filed under: Jim Parisi, Music Review on January 20th, 2011
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By Jim Parisi

The alarms sounded some decades past about diminishing rainforests and the worldwide implications, but dry rainforests were overlooked. In his new documentary “Se Quema El Cielo”, Luciano Capelli waves the banner for all to see. The film focuses on the plight of the Guanacaste tropical dry forest, documenting the struggle to preserve over three hundred thousand species of life. One method is to recreate the natural habitat in the area, from the Pacific coastline to the chain of volcanoes Rincon de la Vieja and Orosi, covering lowlands and highlands. Much of this area was pastureland for centuries. One major problem rose when the cattle were removed around 1977 leaving non-indigenous grasses that were planted as feed to squeeze out local plant life. This is how a downhill chain begins because once the native plants disappear, so does the wildlife that depends on them. Without natural enemies, the grasses took over, dried out and became kindling for natural fires due to lightning, controlled fires, mismanaged campfires and even fires set as arson. Historic winds also play a major role.

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Filed under: Jim Parisi on December 28th, 2010
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By Jim Parisi

Make no mistake about it, Maicol Leroy has been Ticoized. Don’t get me wrong, I mean this as a compliment and I know he would be the first one to consider it as such. Hey, the guy has even Latinized his name… Sr. Leroy has been coming to Guanacaste for nearly a quarter of a century and living here for almost two decades. He has been playing guitar and harp since well before puberty. Take these two components, mix in a little stage experience, an early exposure to the blues and great songwriting ability and voila: you’ve got the new self-produced album “San Juanillo” by Maicol Leroy.

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Filed under: Jim Parisi, Music Review on November 23rd, 2010
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